Plan first, shoot loose
Every booking starts with a planning call and a shot list we both sign off. On the day itself I leave room for the unplanned frame — that's usually the one you print.
About
The person behind the camera, the presets and the prints.
Hi, I'm Elliot Nash. I photograph people, places and plates of food.
I picked up my first film camera at seventeen and never really put one down. Twelve years later I shoot around forty weddings a year, cover two full sports seasons, and fill the gaps with portraits, buildings, wildlife, restaurant menus and long walks with a tripod. Silverhalide Prints started as a darkroom nickname and grew into this studio: sessions, presets and prints under one roof.
My style is simple — honest light, real expressions, nothing over-posed. If a frame needs heavy rescuing in the edit, I would rather have shot it better. That restraint is baked into every preset pack I sell: they nudge, they don't bulldoze.
12
years shooting
400+
weddings covered
7
photo disciplines
How I work
Three habits that shape every session, whatever the subject.
Light before gear
I scout light at the time we'll actually shoot, not at noon the week before. Window light, last light, stadium light — the schedule bends around it.
Edit like film
Restraint in post: true skin, honest colour, contrast with somewhere to go. The preset packs in the store are literally my starting points.
Want to work together?
Follow the link and let's get in touch.